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<channel>
	<title>Margarida Ferreira</title>
	<link>https://margaridaferreira.net</link>
	<description>Margarida Ferreira</description>
	<pubDate>Wed, 14 Oct 2020 12:57:03 +0000</pubDate>
	<generator>https://margaridaferreira.net</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://margaridaferreira.net/Home</link>

		<pubDate>Mon, 22 Oct 2018 17:07:18 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Home</guid>

		<description>Margarida Ferreira
 design and illustration

⟼ Portal Viva App and Website⟼ ARC Corporate Book⟼ Between Absence and Presence
⟼ Where The Wild Things Are
⟼ Madvertising Systems⟼ Blind Willow, Sleeping Woman

⟼ Pianoforte Typeface


	☟&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>About Me</title>
				
		<link>https://margaridaferreira.net/About-Me</link>

		<pubDate>Mon, 22 Oct 2018 17:07:19 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/About-Me</guid>

		<description>Hi, I’m Margarida. 


I am a designer and illustrator, currently living in Lisbon. I’ve always been fascinated by the power of storytelling through new platforms of visual expression. 
This interest in art and design is fundamental to my practice, as I continue to explore the possibilities of communication and the limits of my imagination.
	
	


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	<item>
		<title>Portal Viva App and Website Cover</title>
				
		<link>https://margaridaferreira.net/Portal-Viva-App-and-Website-Cover</link>

		<pubDate>Wed, 14 Oct 2020 12:56:47 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Portal-Viva-App-and-Website-Cover</guid>

		<description>
	
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		<title>Portal Viva App and Website</title>
				
		<link>https://margaridaferreira.net/Portal-Viva-App-and-Website</link>

		<pubDate>Wed, 14 Oct 2020 12:57:03 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Portal-Viva-App-and-Website</guid>

		<description>
Portal Viva App and WebsiteEDIT, Disruptive Digital Education, 2019―
	This collaborative project was developed as part of the UX/UI Design course by Edit Disruptive Digital Education, in 2019. We were assigned to&#38;nbsp; rethink the transportation system used in Portal Viva, and to develop three major digital deliverables: a mobile app, and a desktop website and a resposive mobile website.&#38;nbsp;
To understand the characteristics of each item, we conducted a deep user-centered research to identify new problems and user needs, and to create a rich and satisfying new user experience for the user. Our complete scope of work included:&#38;nbsp;benchmark and user-centered research; heuristic evaluation; analysis of questionnaires and interviews; definition of personas and affinity maps; identification of user needs and user journeys; wireframing and prototyping; design of digital interfaces and experiences; development of motion graphics, icons, and digital illustration.&#38;nbsp;
You can find a mockup presentation of the app here, of the desktop website here, and of the responsive mobile website here.


	


UX/UI Design&#38;nbsp;


Illustration


&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/2055103e3557ae64162776ad38ad1ea1ed1a8ffe21650494aa5219d3bf7f6399/APP-MOCKUP-VIVA.jpg" data-mid="98412308" border="0"  src="https://freight.cargo.site/w/1000/i/2055103e3557ae64162776ad38ad1ea1ed1a8ffe21650494aa5219d3bf7f6399/APP-MOCKUP-VIVA.jpg" /&#62;
&#60;img width="2880" height="1432" width_o="2880" height_o="1432" data-src="https://freight.cargo.site/t/original/i/e5740cc5a1ecc18680d529b8826c0a3a6492abc45740e5ec26b05335fd83d0c8/Screen-01.png" data-mid="98412326" border="0"  src="https://freight.cargo.site/w/1000/i/e5740cc5a1ecc18680d529b8826c0a3a6492abc45740e5ec26b05335fd83d0c8/Screen-01.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f1fc9909c4f0e6ad76d5aa27b29bd1ae594c0b1b0fffa284ddf93638e0386da1/Desktop-09.png" data-mid="98412320" border="0"  src="https://freight.cargo.site/w/1000/i/f1fc9909c4f0e6ad76d5aa27b29bd1ae594c0b1b0fffa284ddf93638e0386da1/Desktop-09.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e7e881446f529291ed655d53352775e1c35e81615b6997a392f7f7eea69353e4/Wireframes-HQ-01.png" data-mid="98412322" border="0"  src="https://freight.cargo.site/w/1000/i/e7e881446f529291ed655d53352775e1c35e81615b6997a392f7f7eea69353e4/Wireframes-HQ-01.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5ff743b65592c9c686f60ac581772fcbfa0fa9d39d483fcaa76399f915d9ea2a/Wireframes-HQ-02.png" data-mid="98412321" border="0"  src="https://freight.cargo.site/w/1000/i/5ff743b65592c9c686f60ac581772fcbfa0fa9d39d483fcaa76399f915d9ea2a/Wireframes-HQ-02.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4f3539ffa8f1d2c788ebf13475cbba4da4971a7179c21decdf9d468aaf5bda54/Icon-Set.png" data-mid="98412324" border="0"  src="https://freight.cargo.site/w/1000/i/4f3539ffa8f1d2c788ebf13475cbba4da4971a7179c21decdf9d468aaf5bda54/Icon-Set.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ab58cd2793e93b23bc9004c93ec542eb2b3e8d5d8e82043b8b4f4604764dae05/UI-Kit-01.png" data-mid="98412323" border="0"  src="https://freight.cargo.site/w/1000/i/ab58cd2793e93b23bc9004c93ec542eb2b3e8d5d8e82043b8b4f4604764dae05/UI-Kit-01.png" /&#62;
&#60;img width="8001" height="4501" width_o="8001" height_o="4501" data-src="https://freight.cargo.site/t/original/i/7b08a52e10526742936c645c4129639e17818e7ce3be4487f72c769e16016e33/Painel-Transportes.png" data-mid="98412415" border="0"  src="https://freight.cargo.site/w/1000/i/7b08a52e10526742936c645c4129639e17818e7ce3be4487f72c769e16016e33/Painel-Transportes.png" /&#62;
&#60;img width="3600" height="2800" width_o="3600" height_o="2800" data-src="https://freight.cargo.site/t/original/i/fe7f73da4c4b6ed169313811c7b11fce6be94ce7c93cbab83752b90a22976a3d/MAC-MOCKUP-VIVA1.jpg" data-mid="98412391" border="0"  src="https://freight.cargo.site/w/1000/i/fe7f73da4c4b6ed169313811c7b11fce6be94ce7c93cbab83752b90a22976a3d/MAC-MOCKUP-VIVA1.jpg" /&#62;

	



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</description>
		
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	<item>
		<title>ARC Corporate Book Cover</title>
				
		<link>https://margaridaferreira.net/ARC-Corporate-Book-Cover</link>

		<pubDate>Fri, 26 Jun 2020 15:38:22 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/ARC-Corporate-Book-Cover</guid>

		<description>
	
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	<item>
		<title>ARC Corporate Book</title>
				
		<link>https://margaridaferreira.net/ARC-Corporate-Book</link>

		<pubDate>Fri, 26 Jun 2020 15:38:33 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/ARC-Corporate-Book</guid>

		<description>
ARC Corporate BookARC International Design Consultants, 2020―
	Editorial design for the 2020 Edition of ARC International Design Consultants, a Lisbon based architectural firm specialized in Healthcare Facilities.
Divided into three chapters (Organization and Experience, Knowledge, and Selected Projects), the book features a careful selection of ARC's best work through the years and a collection of 12 essays from our team of experts. This object is the result of a collaborative work, showcasing the company's history, values, and identity. The book was printed on Sirio Color Black 380 gr paper, with silver stamping for the cover.Special thanks to Ocyan for helping us with the printing process. ARC's Corporate Book was distributed at last year's edition of Arab Health Exhibition in Dubai.


 
	
Editorial Design

&#60;img width="5182" height="2712" width_o="5182" height_o="2712" data-src="https://freight.cargo.site/t/original/i/2784decf893cdc80f7efbc7b82aa7d3ba109e7076880a96aa1cd6c396c68e2f3/ARC-CORPORATE-BOOK04.jpg" data-mid="98411303" border="0"  src="https://freight.cargo.site/w/1000/i/2784decf893cdc80f7efbc7b82aa7d3ba109e7076880a96aa1cd6c396c68e2f3/ARC-CORPORATE-BOOK04.jpg" /&#62;
&#60;img width="4000" height="2093" width_o="4000" height_o="2093" data-src="https://freight.cargo.site/t/original/i/173c1812c3fa4da672074fdf6ecdef5737e44bd312884ec3b85e195c8b0f8935/ARC-CORPORATE-BOOK03.jpg" data-mid="98411304" border="0"  src="https://freight.cargo.site/w/1000/i/173c1812c3fa4da672074fdf6ecdef5737e44bd312884ec3b85e195c8b0f8935/ARC-CORPORATE-BOOK03.jpg" /&#62;
&#60;img width="4107" height="2149" width_o="4107" height_o="2149" data-src="https://freight.cargo.site/t/original/i/98983fb3eb055a52a05b12390515fc21dc47ba639e7bad083c21f691622f7e3f/ARC-CORPORATE-BOOK02.jpg" data-mid="98411305" border="0"  src="https://freight.cargo.site/w/1000/i/98983fb3eb055a52a05b12390515fc21dc47ba639e7bad083c21f691622f7e3f/ARC-CORPORATE-BOOK02.jpg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/3d4272e2c13602e07968526f9e4dd0fde533dedc8d2d4835e2950187d293004c/IMG_1752.jpg" data-mid="118019085" border="0"  src="https://freight.cargo.site/w/1000/i/3d4272e2c13602e07968526f9e4dd0fde533dedc8d2d4835e2950187d293004c/IMG_1752.jpg" /&#62;
&#60;img width="6604" height="3456" width_o="6604" height_o="3456" data-src="https://freight.cargo.site/t/original/i/dfb2fd34ef9d4bd6e20a7fb0b65d8128b1a0f2c9c6485d2da32ab3a292dd9041/ARC-CORPORATE-BOOK.jpg" data-mid="98411306" border="0"  src="https://freight.cargo.site/w/1000/i/dfb2fd34ef9d4bd6e20a7fb0b65d8128b1a0f2c9c6485d2da32ab3a292dd9041/ARC-CORPORATE-BOOK.jpg" /&#62;

	



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</description>
		
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	<item>
		<title>Between Absence and Presence Cover</title>
				
		<link>https://margaridaferreira.net/Between-Absence-and-Presence-Cover</link>

		<pubDate>Mon, 22 Oct 2018 17:07:22 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Between-Absence-and-Presence-Cover</guid>

		<description>
	
	</description>
		
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	<item>
		<title>Between Absence and Presence</title>
				
		<link>https://margaridaferreira.net/Between-Absence-and-Presence</link>

		<pubDate>Tue, 23 Oct 2018 01:12:04 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Between-Absence-and-Presence</guid>

		<description>
Between Absence and PresenceMultimedia Art (MA) University of Lisbon, 2018―
	The present research examines the practice of erasure as a device of transformation, capable of assigning new meanings to a given object. This investigation was part of my master thesis in Multimedia Art, in the Faculty of Fine Arts of Lisbon, and resulted in two collective exhibitions: Cenestesia, curated by the College of Arts of Coimbra; and&#38;nbsp;Oitounove&#38;nbsp;presented in Lx Factory in Lisbon.

 It is thus necessary to understand how erasure can be incorporated into artistic production, giving new interpretations to preexisting texts, images or records. This leads to the main question of this investigation: is it possible to create meaning from a deliberate act of suppression? In other words, is it possible to attribute value to an object, through a symbolic gesture of cancellation? Such ideas will be fundamental to develop the concept of erasure over the course of this project.This practice is particularly interesting as a case study since erasure acts as a space of mediation between presence and absence, visibility and invisibility, memory and oblivion, excess and loss, exposure and concealment, creation and destruction. To understand this phenomenon it is, therefore, necessary to reduce it to its most elemental form, as a stage of conflict between two opposing forces: the marking of erasure (the element that suppresses) and the trace of what is under erasure (the suppressed element). It is this permanent state of instability, tension, and fluctuation that creates the potential transformation of meaning.
These ideas culminated in a final installation, Guião para 00:04:45 Horas. For this artistic intervention, I recorded several minutes of television ads that I would later translate as written texts or “scripts”. The scripts would then be printed in a typewriter, but always in the same lines, until the complete illegibility and saturation of the page. Such actions prove that erasure can act not only as a process of subtraction, but also of addition and juxtaposition. This intervention was presented as a 2’57” video loop, accompanying the three original scripts.
 The project also includes a special printed edition of the thesis, with 156 pages (136 x 228 mm), printed in Munken Lynx 100g/m² paper and finished with a clothbound cover, with the help of M2 Artes Gráficas.&#38;nbsp;Between Absence and Presence is available in Portuguese and can be found here.


 
	
Editorial DesignInstallationVideo Art

&#60;img width="2835" height="1772" width_o="2835" height_o="1772" data-src="https://freight.cargo.site/t/original/i/59931c4b41c725fbe6e303ac79d8533c97039857d21a0d5f7a5afee9a9036259/tese-animacao-b.gif" data-mid="31791837" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/59931c4b41c725fbe6e303ac79d8533c97039857d21a0d5f7a5afee9a9036259/tese-animacao-b.gif" /&#62;


	
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&#60;img width="2776" height="1850" width_o="2776" height_o="1850" data-src="https://freight.cargo.site/t/original/i/187179fdef85e230ef425e6e4cbedb9f01240f78e650fb1f9bf4c95742e178be/tese-paginas-01b2.jpg" data-mid="31788503" border="0"  src="https://freight.cargo.site/w/1000/i/187179fdef85e230ef425e6e4cbedb9f01240f78e650fb1f9bf4c95742e178be/tese-paginas-01b2.jpg" /&#62;
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&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/0d93a66020065528c5c5e45c829963cd5980a2d2057d180dd312f544de558c09/tese-paginas-08b.jpg" data-mid="31095689" border="0"  src="https://freight.cargo.site/w/1000/i/0d93a66020065528c5c5e45c829963cd5980a2d2057d180dd312f544de558c09/tese-paginas-08b.jpg" /&#62;
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		<title>Where The Wild Things Are Cover</title>
				
		<link>https://margaridaferreira.net/Where-The-Wild-Things-Are-Cover</link>

		<pubDate>Fri, 04 Jan 2019 13:31:30 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Where-The-Wild-Things-Are-Cover</guid>

		<description>
	
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		<title>Where the Wild Things Are</title>
				
		<link>https://margaridaferreira.net/Where-the-Wild-Things-Are</link>

		<pubDate>Fri, 04 Jan 2019 00:28:13 +0000</pubDate>

		<dc:creator>Margarida Ferreira</dc:creator>

		<guid isPermaLink="true">https://margaridaferreira.net/Where-the-Wild-Things-Are</guid>

		<description>

Where the Wild Things AreGraphic Design (BA) Nottingham Trent University, 2013―
	
This project seeks to recreate Maurice Sendak's timeless novel, Where The Wild Things Are, in the context of a new animated show. This&#38;nbsp;assignment was developed during my semester at Nottingham Trent University and remains, to this day, one of the most challenging and exciting works I've ever done. 
To prepare for this project, I started an extensive research around these characters and their remarkable legacy. This includes not only the original tale by Maurice Sendak, but also later interpretations of the novel, created by multiple artists in several fields: the short animation produced by Gene Deitch (1974); the small opera composed by Oliver Knussen (1980); the first tests with 3D animation explored by John Lasseter e Glen Kean (1983); and, more recently, the live action movie directed by Spike Jonze (2009). This allowed me to slowly shape these characters, and to create new parallels with the original spirit of the novel. 
The final work resulted in two turn-around sheets for the main characters; two expression sheets; two concept sheets; and a variety of rough sketches exploring different techniques and materials. The drawings were entirely created with traditional methods (indian ink, charcoal, sepia, pen, and blue colored pencil with graphite for the final retouches) and were later scanned and edited in Adobe Photoshop.

 
	
Character Design

Illustration

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